Cucumber Water
My name is Sarah. I'm an actress. I hail from the Northwest. Laughter is my reaction, but I'm not easily impressed. I'm sort of a contradiction. Let's live outdoors and watch the moon rise every night.

All posted content belongs to the original authors/creators (not me) unless specifically attributed to myself. If you wish your content removed, let me know, and I will do so. I ask that you please give me credit if you reblog any of my writing.
Cucumber Water
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"Dance? I’m 33! I can barely walk anymore."
The Goodbye Girl
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Naturally.
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thethirdpersona:

Grand Budapest Hotel | Wes Anderson, 2014
thethirdpersona:

Grand Budapest Hotel | Wes Anderson, 2014
thethirdpersona:

Grand Budapest Hotel | Wes Anderson, 2014
thethirdpersona:

Grand Budapest Hotel | Wes Anderson, 2014
thethirdpersona:

Grand Budapest Hotel | Wes Anderson, 2014
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heidisaman:

"The less money you take, the more freedom you have. I’ve never made a film where I don’t have final cut. And I can’t imagine doing that. That just seems like it would be turmoil. I edit because that’s where you learn how to direct, really. All the answers of what you should have done are in the editing. I miss out on being able to be in a conversation with someone, and I can see where that can be a really valuable thing—to have someone with more of a distance to be having a dialogue with. You write alone, and scouting is really lonely. Then you do this really intense thing with a lot of people. Afterwards, I usually feel like I want to hide away with my film again and go through the process of making sure that every possible thing has been tried. I’m a big believer in letting your film be bad for a while, and not trying to get to a good cut too quickly. I just want to be involved and I want that process, because it makes me think of what lens I should have used or what I should have done. It’s such a learning experience that I hate to miss out on it."
— Kelly Reichardt on why she edits her own films
Still from Wendy and Lucy (2008, dir. Kelly Reichardt) 
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lacalaveracatrina:

 Myrna Loy, The Mask of Fu Manchu, 1932
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superkeeg:

spaceagebohemia:

Syd Mead, concept art for Blade Runner.

How can I not reblog this.

Just always. Not sure I’d see that last one before.
superkeeg:

spaceagebohemia:

Syd Mead, concept art for Blade Runner.

How can I not reblog this.

Just always. Not sure I’d see that last one before.
superkeeg:

spaceagebohemia:

Syd Mead, concept art for Blade Runner.

How can I not reblog this.

Just always. Not sure I’d see that last one before.
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marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
marinaesque:

the making of Fantastic Mr Fox - photo by Ray Lewis
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70sscifiart:

Alien Turns 35 Today—You Should Watch It Right Now
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ugh
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